1. Line quality
-The direction of the line of both figures depict a rather sensational effect with its curvy lines rather than a rigid, structural feel. The degree and the orientation of the compositions are similar with one another that seemingly displays a strong contrast of cross hatching (Adrift on the Lethe) and continuous lines for emphasis (The dead Toreador).
2. Actual Lines
-The dominant orientation of lines spotlights the diagonal frame of the ocean. With the lines that create the composition, Leslie incorporates an exaggerated feel to each individual lines, portraying an enigmatic, yet a perpetual effect. When lines are either intersected or repeated, the effect would still remain the same, except with the touch of duplications could act a more complex feel and the intersection would definitely add an hectic design than the simple, concise feel of the original's work.
3. FrameWork
-The organizational lines are exercised through the dock, with its structural, rigid feel borders. The implied lines are employed through the body movement and the expressions of the people. The lines that the artist uses give a direct concentration towards the dark shadows. With its cryptic mood of the painting, the dark shadow creates the depth and effect to the piece even without trying.
4. Expression
-"The Killing Cycle" drawn by Alfred Leslie awed me in such way that created not only a realistic painting, but a story that allured me in an instant. I feel as if he approached this concept not for the appeal of it, but to describe a story in his life through pictures, not words. Emotionally, it produced a melancholy effect on me that many of us could fathom. The death of a loved one or even a person you once knew could add such guilt to your conscious, but in reality, it was never your fault, but the situation's. (quoted by Alfred Leslie).